Disney is perfecting the “robotic gaze” with this stoned animatron

As we learned last week, Disney has been working on human-like robots for quite some time. In this video, we see something that looks like a horrific cross between a skeleton and a stoned zombie interacting with a human, something that might soon be commonplace (if they can put some skin on the damn thing so it doesn’t look like a monster.)

From the creators:

This video describes the development of a system for lifelike gaze in human-robot interactions using a humanoid animatronic bust. We present a general architecture that seeks not only to create gaze interactions from a technological standpoint, but also through the lens of character animation where the fidelity and believability of motion is paramount; that is we seek to create an interaction which demonstrates the illusion of life.

Disney’s interest in developing human-like robots stems from its commitment to pushing the boundaries of entertainment and immersive experiences. By creating lifelike robots, Disney aims to revolutionize its theme parks and attractions, providing visitors with an even more magical and interactive experience. These robots could take on roles that were previously impossible for animatronics, such as portraying beloved characters with unprecedented realism and fluidity. Additionally, human-like robots hold the potential to enhance storytelling and engagement in Disney’s films, television shows, and other media ventures, offering audiences a deeper emotional connection with characters. Ultimately, Disney’s pursuit of human-like robots aligns with its mission to continually innovate and transport people to imaginative worlds, further solidifying its position as a leader in the entertainment industry.

John Biggs

John Biggs is an entrepreneur, consultant, writer, and maker. He spent fifteen years as an editor for Gizmodo, CrunchGear, and TechCrunch and has a deep background in hardware startups, 3D printing, and blockchain. His work has appeared in Men’s Health, Wired, and the New York Times.

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